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Candidate's Name
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mobile: PHONE NUMBER AVAILABLEE-mail: EMAIL AVAILABLE Site: www.Candidate's Name .comSELECTED BIOGRPHY:Born in Boulder, ColoradoEDUCATIONM.A., University of California at Los AngelesB.F.A., University of Colorado at BoulderAWARDS AND GRANTS:2019 John Simon Guggenheim Foundation2017 The Pollock Krasner Foundation2016 Tree of Life AwardYale Star Grant2013 Yale Star Grant2005 Asian Cultural Council2003 Trust for Mutual Understanding2002 Trust for Mutual Understanding1998 The Pollock Krasner Foundation1996 The Adolph and Esther Gottlieb Foundation1993 The Pollock Krasner Foundation1990 The Alice Baber Award1989 Award in the Visual ArtsPrix de RomeNational Endowment for the ArtsThe E.D. Foundation1978 National Endowment for the Arts1977 The Berliner Kunstler Program, D.A.A.D.1976 The Norman Wait Harris Award, The Art Institute of Chicago1972 New Talent Award, Los Angeles County Museum of ArtTEACHING, LECTURE, AND CURATORIAL EXPERIENCE:2022 U.C.L.A. Art and Science Department. Lecture on Otto Piene.2021 Yale Radio, Lecture series on Art and Alchemy2010  2020, Yale School of Drama, Graduate Design Department, Lecturer, Visual Iconography, Projection, Art History2007- 2014, St. Joseph College, West Hartford, CT., AIME Program, Department of Graduate Education. A summer intensive including art history and visual studies.2009 Pont Aven School of Art, France. Taught a seminar on Joseph Beuys and delivered a lecture on Beuys at the Hamberger Banhof in Berlin.2006 Seminar on Goethes Color Theory, Sarah Lawrence College, New York2002, Gave a lecture at Bennington College entitled: Art History and the History of Consciousness.1980-2000, Barnard College. Art History Department, Associate Professor1985 Columbia University, New York. Taught drawing in the Fine Art Department.1978-1997, School of Visual Arts, taught painting, drawing, and color theory.1980-1982, University of Pennsylvania Graduate School, Visiting Artist,Taught graduate level painting1975-1976, Claremont Graduate School, Associate Professor,Taught aesthetics seminar to graduate students in Fine Arts Department.1974-1975, University of California at La Jolla, Visiting Artist.Taught aesthetics and theory seminar to students in Fine Arts Department.SELECTED PUBLIC WORKS:Conversations with Angels, Majdanek, Lublin, Poland, 2003SELECTED PUBLIC COLLECTIONS:Art Institute of Chicago, IllinoisAllen Memorial Art Museum, Oberlin, OhioDallas Art Museum, TexasDes Moines Art Center, IowaHirshorn Museum and Sculpture Garden, Washington, D.C.Honolulu Academy of Arts, HawaiiHawaii State CollectionIndianapolis Museum of Art, IndianaThe Lannan Foundation, Marina Del Ray, CaliforniaLos Angeles County Museum of Art, CaliforniaThe Museum of Modern Art, New YorkThe Metropolitan Museum of Art, New York.The National Gallery of Australia, CanberraNational Museum of the American IndianRoy L. Neuberger Museum, Purchase, New YorkThe Orlando Museum of Art, FloridaNew Orleans Museum of Art, LouisianaNewport Harbor Art Museum, Newport Beach, CaliforniaPowis Art Gallery, Sidney, AustraliaSan Francisco Museum of Modern Art, CaliforniaSmithsonian American MuseumWhitney Museum of American Art, New YorkSELECTED ONE PERSON EXHIBITIONS:2022 Art Museum, University of St. Joseph2019 GRIDSPACE, New York2012 Bleicher Gallery, Los Angeles2011 Corporale / Bleicher Gallery, Los Angeles2010 The Michael S. Currier Center, Putney Vermont2008 Galerie Zero, Berlin2007 MICROCOSM /Gallery, New York2005 KHOJ, New Delhi, India2004 St. Joseph College, West Hartford2003 The Majdanek Museum, Lublin, Poland1998 Central Fine Arts, New York1991 The Contemporary Museum, Honolulu Hawaii1990 Arnold Herstand Gallery, New York1988 Brooke Alexander Gallery, New York1985 Brooke Alexander Gallery, New York1984 Brooke Alexander Gallery, New YorkGreenville Museum of Art, Greenville, South Carolina1983 Candidate's Name , Fine Arts Center, S.U.N.Y., Purchase, New YorkCandidate's Name , New York, Galerie Kornfeld, Bern, Switzerland1982 Brooke Alexander Gallery, New York1981 Brooke Alexander Gallery, New YorkCandidate's Name , the Augen Gallery, Portland, Oregon1979 The Red Sea, Brooke Alexander Gallery, New YorkThe Night Sea Journey, Portland Center for the Visual Arts, Portland OregonThe Red Sea and the Night Sea, The Arts Club, ChicagoThe Margo Leavin Gallery, Los Angeles1978 Chandler Coventy Gallery, Paddington, Australia1977 The Red Sea, The Museum Ludwig, Cologne, Germany1976 Candidate's Name , Margo Leavin Gallery, Los Angeles, California1975 Candidate's Name : Large Scale Drawings and Sculpture, Institute of Contemporary ArtBoston1974 Fourcade Droll, New YorkSELECTED GROUP EXHIBITIONS:2021-2022 Veritas, Nathalie Karg Gallery2020 Women to the Fore, Hudson River Museum, Yonkers, New York2018 Blessed Be: Mysticism, Spirituality, and the Occult in Contemporary Art.MOCA, Tucson2017 Venice: Then and Now: Mike Kelly Gallery, Venice, CaliforniaYou Are Going on a Trip: Modern and Contemporary Prints for the Permanent Collection:Santa Barbara Musuem of Art, Santa Barbara, California2015 Language of the Birds: Occult and Art, 80 WSE Gallery, NYU, New York2014 Modern American Realism: the Sara Roby Foundation Collection, the SmithsonianAmerican Museum, Washington, D. C.Thresholds, Museum of contemporary Religious Art, St. Louis UniversityObjects of Our Affection, St. Joseph University, West Hartford, Ct.The Last Brucennial Bruce High Quality Foundation, New York City2009 Cryptorial, Francis Lewis Gallery, Flushing2007 Women Artists of Southern California Then & Now, Track 16 Gallery, SantaMonica2006 Omaggio a Louise Bourgeois, Museo communale darte moderna di Ascona,Switzerland2002 Flat Works by Sculptors, Bennington College, Vermont1997 A Natural Selection, Z. Gallery, New YorkObsessed by Magic, A.C.A. Gallery, New York1996 Views from a Golden Hill, the Equitable Gallery, New York1995 New Acquisitions, New Orleans Museum of ArtCritters II, Des Moines Art Center, Iowa1993 Gutierrez Fine Arts, Miami, FloridaSanctuaries, Recovering the Holy in Contemporary Art, MOCRA, Saint Louis1989 Award in the Visual Arts, High Museum of Art, AtlantaThe Boat Show, Smithsonian Institution, Renwick Gallery, Washington, D.C.Animals in Art, Hudson River Art Museum1986 Images of the Unknown, P.S.1, New YorkSecond Sight, San Francisco Museum of Modern ArtArt and Alchemy, Venice Biennale1983 Young Talent Awards 1968-1983, Los Angeles County Museum of Art1982 Still Modern After All these Years, the Crysler Museum, Norfolk, VirginiaSelections from the Collection, Neuberger Museum, Purchase, New York1981 Paintings, Brooke Alexander Gallery, New YorkSouthern California Artists: 1940-1980, Laguna Beach Museum of Art, California1980 Painting and Sculpture Today, Indianapolis Museum of ArtNew York/New York, Delehunty Gallery, New YorkOn Paper, Virginia Museum of fine Arts, Richmond, Virginia1979 Decade in Review, Whitney Museum of Art, New York1978 The Thirty First Annual Exhibition, Brooklyn Museum of Art, New York1976 America 1976, Corcoran Gallery of Art, Washington, D.C.1975 Both Kinds, Contemporary Art from Los Angeles, University Art MuseumBerkley, California1974 Choice Dealers-Dealers Choice, The New York Cultural Center, New YorkPaintings and Sculpture Today, Indianapolis Museum of Art1973 Four Young American Artists, Allen Memorial Art Museum, Oberlin, OhioWhitney Biannual, New YorkSix Visions, Institute of Contemporary Art, Philadelphia1972 15 Young Americans. Pasadena Art Museum, CaliforniaLos Angeles 1972, Sidney Janis Gallery, New York1971 Sculpture 1971 Esther Bear Gallery, Santa Barbara, CaliforniaWRITING BY THE ARTIST:Alice Baber: Light as Subject, Art International, Vol. XXIV, Nos. 1-2, September-October 1980, p. 135Candidate's Name , Second Sight: Biennial IV, Sam Francisco Museum of Modern Art, 1986Alchemy is not a lost art but is alive and well in the dreams of modern man,Edinburgh International (exhibition catalogue),Edinburgh Royal Scottish Academy, December, 1987The Critic and the Hare: Meditations of the Death of my Rabbit, Candidate's Name
(exhibition catalogue), New York: A.C.A. Contemporary, l988The Daemon and the Night Sea, Art International, Vol. XXIV, NOS. 3-4. November-December l980, p. 113Maura Sheehans Urban Artifacts, Arts, November l985, pp. 60-61Meditations on the Red Mass, BOMB, no. XIV,Winter 1986, pp. 38-41The Red Sea-Das Rote Meer (exhibition catalogue), Cologne: Museum Ludwig (in conjunction with Berliner Kunstlerprogramms D.A.A.D.) 1977, pp. 4-16The Red Sea and the Night Sea (exhibition catalogue), Chicago: The Arts Club of Chicago, 1979Maditaties Over De Rode Mis, Museum Journal, No.1, 1986Meditations on the Red Mass, Bomb, Winter 1986, p. 38The Temple of Isis, Candidate's Name , (exhibition catalogue), New York: A.C.A. Contemporary, 1988Alchemy and Suffering, Candidate's Name , New Observations, #84, July 1, l991, p. 18Puella Aeterna, Crone Nevah!, Crone Chronicles, Summer Solstice 1993, # 16,, pp. 13-14The Critic and the Hare: Meditations on the Death of My Rabbit, MEANING #6, November, l989, p. 34Overtime: A Forum on Art Making, MEANING # 10, November, 1991, p. 13M/E/A/N/I/N/G, An Anthology of Artists Writings, Theory and Criticism, Susan Bee and Mira Schor, editors, Duke University Press, Durham and London 2000, pp. 241-242,357-359,Something About Mary, Memories of Mary Bancroft, SPRING 67, Woodstock, Connecticut, 2000, pp. 130-136Memoirs of C.A. Meier, SPRING 68, Woodstock, Connecticut, 2001.Monica Serra, the Shadow and the Caged Bird, SPRING 69, Woodstock, Connecticut"The Ethereal Forces", Wystawa prezentowana w Muzeum Archidiecezjalnym Sztuki Religijne w Lublinie, 2003, exhibition calalog."Mirror into Forgiveness", JAIN SPIRIT, December 2003- February 2004, pp. 36-37Pfaueninsel, a catalog for the Berlin exhibition, 2008The Death and Transformation of the Monkey King, KHOJ, New DelhiThoughts on Girl Drive, 2009, LABYRINT 09, Botkyrka Konsthall, SwedenOn Being Wounded in the Face, http://www.artandeducation.net/paper/on-being-wounded-in-the-face-notes-from-the-catholic-left/Judith Bernstein:Hard, Brooklyn Rail, Feb. 2013, p. 53Paul Laffoley and Suzanne Treister, Brooklyn Rail, March 2013The Artful Recluse: Painting, Poetry, and Politics in 17th. Century China, The Brooklyn Rail, May, 2013, page, 44Eating Apollos Cattle, The Brooklyn Rail, June 2013Sublimming Vessel: The Drawings of Mathew Barney, Brooklyn Rail, July-August,2013, p. 47 Michelle Stuart, The Brooklyn Rail, September 2013, p. 12What is Art, The Brooklyn Rail, September 2013Art in the Age of Vulnerability, The Brooklyn Rail, October 2013, page 37 Nalini Malani with Candidate's Name , The Brooklyn Rail, November 2013, p. 17Krzystof Wodiczko with Candidate's Name , The Brooklyn Rail, February 2014, p. 12Michael Zansky, A Vacation on Mars with God, The Brooklyn Rail, February 2014Doug Wheeler, The Brooklyn Rail, March 2014, March 2014, p. 72Wellsprings Reconsidered Critics Page editor, The Brooklyn Rail, June 2014, p.70Eve Andree Laramee with Candidate's Name , The Brooklyn Rail, September 2014, p. 38Here and Elsewhere, The Brooklyn Rail, September, p. 61Notes from an Old Meanad in the Trenches, Brooklyn Rail, September 2014, web exclusiveKristin Jones with Candidate's Name , the Brooklyn Rail, January 2015, web exclusiveLucy Skaer, the Brooklyn Rail, January 2015, p. 49Alfredo Jaar, Shadows, the Brooklyn Rail, April 2015, p. 56Joyce Kozloff, the Brooklyn Rail, May 2015, p. 86Joan Capote, Collective Unconscious, the Brooklyn Rail, July 2015, p. 61Agnes Denes Living Pyramid, the Brooklyn Rail, September 2015, p. 66Richard Long Crescent to Cross, the Brooklyn Rail, October 2015, p. 48Two Exhibitions Showcase the Bloody Relics of Hermann Nitsch, Hyperallergic, October 15, 2015, http://hyperallergic.com/245340/two-exhibitions-showcase-the-bloody-relics-of-hermann-nitschs-rituals/William Kentridge Takes New York, the Brooklyn Rail, December-January, 2015, p. 68Recycling Religion, the Brooklyn Rail, February 2015William Kentridge with Candidate's Name , the Brooklyn Rail, May 2016, p.57Slavs and Tatars: Afteur Pasteur, The Brooklyn Rail, November 2016, p.57Carolee Schneemann, The Brooklyn Rail, December 2016, January 2017, p. 52Lenore Malen: Scenes from Paradise, The Brooklyn Rail, February 2017, p. 44Helene Aylon with Candidate's Name , The Brooklyn Rail, May 2017, P.67Making Space: Woman Artists in Postwar Abstraction, The Brooklyn Rail, June 2017. P. 65Mystical Symbolism: The Salon of the Rose+Croix in Paris 1892-1897, The Brooklyn Rail,September 2017, p. 59Restoring the Minoans: Elizabeth Price and Sir Richard Evans, The Brooklyn Rail, November 2017, p. 58Benjamin Kress: New Paintings, The Brooklyn Rail, January/December, 2017Lesley Dill with Candidate's Name , The Brooklyn Rail, February 2018Channa Horwitz, The Brooklyn Rail, February 2018Stations of the Cross, The Brooklyn Rail, April 2018, p. 45Helen OLeary: Home is a Foreign Country, The Brooklyn Rail, p.59Benjamin Kress: New Paintings, The Brooklyn Rail, January/December, 2017Lesley Dill with Candidate's Name , The Brooklyn Rail, February 2018Bradley Eros: All that is solid melts into eros, The Brooklyn Rail, April 2018, web exclusiveHelen OLeary: Home is a Foreign Country, The Brooklyn Rail, June 2018, p. 59Joan Waltemath: Ms Crossing, The Brooklyn Rail, June web exclusiveSue Coe: Graphic Resistance, The Brooklyn Rail, The Brooklyn Rail, July/ August, web exclusivePrivate Devotions and Conversations with Saints and Coyotes, catalog essay Blessed Be: Mysticism, Spirituality, and the Occult in Contemporary Art. MOCA, Tucson, p. 12-13Hilma af Klint: Paintings for the Future, The Brooklyn Rail, November 2018, p. 54Candidate's Name  with Aaron Rosen, The Brooklyn Rail, November, web exclusiveNancy Holt, The Brooklyn Rail, February 2019, p.59Archie Rand: Misfits, The Brooklyn Rail, February 2019, web exclusivePulled from the Shadows: William Kentridges Dance of Death, Performance Art Journal, May 2019, pp. 1-8Peggy Ahwesh: Cleve, The Brooklyn Rail, June 2019, p. 65Into the Mystic, Brooklyn Rail, October 2019, p. 54NATHALIE DJURBERG AND HANS BERG: ONE LAST TRIP TO THE UNDERWORLDNATHALIE DJURBERG AND HANS BERG: ONE LAST TRIP TO THE UNDERWORLDNathalie Djurberg & Hans Berg: One Last Trip To The Underworld, Brooklyn Rail, December 2019 -January 2020 issue.Babylons Ishtar Gate, The Brooklyn Rail, February 2020, p.59Michele Zalopony, The Brooklyn Rail, March 2020, p. 51Agnes Pelton: Desert Transcendentalist, The Brooklyn Rail, May 2020Shari Mendelson: Animals, Idols, and Us, The Brooklyn Rail, November 2020Justin Matherly: Compost, The Brooklyn Rail, February, 2021Robert Smithson: Abstract Cartography, The Brooklyn Rail, July/ August 2021Wallace Berman: Off the Grid, The Brooklyn Rail, October 2021, p. 80Maria Nordman: At the Start, The Brooklyn Rail, February 2022, p. 95Pompeii in Color, The Brooklyn Rail, May 2022, p. 75PRESS:2019 Candidate's Name : Procession of the Invisible College, Hovey Brock,The Brooklyn Rail, November, web exclusive2012Frank, Peter. Candidate's Name , Huff Post Arts, June 1, 2012Streifeld, Lisa Paul. (R)evolution in Poetry: The Voice of the Feminine Arises, Huff Post Arts, May 29, 2012Connaughton, Marybeth. Candidate's Name s Ovum Philosophorum, Nepotism Magazine, May 30, 2012American Contemporary Art (ACA) Magazine, Candidate's Name : Ovum Philosophorum, May 2012, p. 20-21Kalisher, Richard, Candidate's Name : Ovum Philosophorum, ACA Magazine, May 2012Streitfeld, Lisa Paul. Drawing the Great Work: Candidate's Name s (R)evolutionary Ovum Philosophorum, Huff Post Arts, April 30, 2012Visual Art Source. Pacific Standard Time: Major Works by Candidate's Name  at Bleicher Gallery, April 19, 2012Fraichard, Michele. Ovum Philosophorum  Candidate's Name , Michele Fraichard Art Blog, April 18Stephens, Craig. Candidate's Name : Ovum Philosophorum, Artweek. LA, Vol. 72, April 16Stevens, Craig. Candidate's Name  Solo Exhibit Ovum Philosophorum, The Los Angeles Post, April 12, 2012Grossman, Pam. Candidate's Name  Show, Phantasmaphile, April 3, 20122011Bakhle-Ellis, Aparna. The Real (Candidate's Name , FABRIK, Issue 11, 2011, p. 26-31Kussatz. Candidate's Name , The Alchemist of Pfaueninsel, Art Ltd. May/June, 2011Frank, Peter. Candidate's Name , The Huffington Post, February 25, 2011Harnish, Tracey. Candidate's Name , L A Art Diary, February 15, 20112008Muller, Mariam. Jeder Wandlung wohnt Zauber inne Die New Yorker Kunstleerin Candidate's Name  malt Marchen, Berliner Zeitung, Nummer 8, January 10, 2008Zeichnungen Candidate's Name , Tip, January 8, 2008, p. 952004Scalia, Nick R. Candidate's Name s Mystical World, The Hartford Courant, March 4-March 10, 2004Mirror Into Forgiveness, Jain Spirit, Issue 17, December-February, 2004, p. 36-372003Conversations With Angels, Jain Spirit, Issue 16, September-November, 2003, p. 11Wax, Heather. Polish art exhibit visualized the ethereal spectrum, Research News and Opportunities in Science and Theology, March 2003, Vol. 3, No.7, p.33Neidbal, Adam, Niewiarygodne ziawiska, Gazeta Wyborcza, 28 Marca, 20031998Goodman, Jonathan. Candidate's Name  at Central Fine Arts, Art In America, Review of Exhibitions, October 1998, p.13219971995Nushbaum, Eliot, Critters II makes a special sequel, Art Centers show is well thought out, The Des Moines Sunday Register, August 20,1995, p. 5CNahas, Dominique. Obsessed by Magic  ACA Galleries through October 11, Review, October 1, 1997, p. 7Nushbaum, Eliot. Critters II makes a special sequel, Art Centers show is well thought out, The Des Moines Sunday Register, August 20,1995, p. 5C1994Chandler, Mary Voetz. Is the Public Ready for Images Like Adam and Eve, Rocky Mountain News, September 18, 1994, p. 52A1992Schwan, Gary. McCoys show leaves viewer with questions, Art Notes, The Palm Beach Post, November 20, 1992, p. 16Sjostrom, Jan. Healing and Renewal Are Central themes for Artist, Palm Beach Daily News, November 17, 1992, p. 1-3Kozloff, Max. Candidate's Name , The Print Collectors Newsletter, Vol. XXIII, No. 1, March-April, 1992, p.261991Ramljah, SuzCandidate's Name , Art and Antiques, April 1991, p. 92Holloway, Memory. Candidate's Name , Art International, Spring, 1991, p. 66Ronck, Ronn. Molding dreams into art reality. She finds inspiration in the Greek goddesses, The Honolulu Advertiser, February 20, 1991, p. D3Denson, G. Roger. Candidate's Name  Arnold Herstand & Company, Contemporanea No. 24, January 1991, p. 1001990Van Wagner, Judy. Collischan, Candidate's Name , Arts Magazine, December, 1990, p. 81-92Liebman, Lisa. Candidate's Name , The New Yorker, October 29, 1990, p.10Journal of Art, October 1990, p. 43Patin, Thomas. A.V.A. 8, Artspace, May/June, 1990, p. 581989Wilson, Wiliam. Art in an Age of Animosity, The Los Angeles Times, August 27, 1989, p. 5Self portrait, Candidate's Name , The New Yorker, p. 10-11, August 21, 1989Dessent, Todd Gitlin. Post Modernism Defined at Last, Unte Reader, July/August, 1989, p. 63Harman, Willis W. The New Paradigm, The Noetic Sciences Review, 1989Rosser, Phyllis. Candidate's Name  Uses Goddess Symbols to Reveal and Renew in Painting and Sculpture, New Directions for Women, July/August 1989, p. 11Caruso, Laura. A Tale of Two Cities and Their Art, The Sunday Camera, May 28, 1989Allen, Jane Addams. Cast Your Anchor at Renwicks Boat Show, The Washington Times, April 10, 1989Shepard, Richard F. Rome Prize Fellowships Are Announced, The New York Times, April 10, 1989Gould, Claudia. Mythologies of the Feminine, A Conversation with Candidate's Name , Arts Magazine, February 1989, p. 67-74Adams, Brooks. Candidate's Name , Art In America, January, 1989, p.145-146Kunter, Janet. Telling Visions, Art In America, January, 1989Mahoney, Robert. Candidate's Name , Arts Magazine, January,19891988Raven, Arlene. New Alchemy, The Village Voice, October 11, 1988, p. 99Feaver, William. Classical Name Droppings, Edinburgh International, Art Monthly, February, 1988Album: The Feminine, Arts, January, 1988The Art of the Blockbuster, Evening News, January, 1988Henry, Clare. Scotland, Arts Review, January 15, The Observer, January 17, 1988Oliver, Cordelia. Classicism in Rags, The Guardian, January, 1988Gablik, Suzi. Candidate's Name  (Exhibition Catalogue) New York; ACA Contemporary, 1988Hall, Douglas. Edinburgh International: Reason and Emotion, Friends of the Royal Scottish Academy, 19881987Ferguson, William. Scotland, Times Educational Supplement, December, 1987Henry, Clare. A Case of Classical Overkill, The Arts, Glasgow Herald, December, 1987Henry, Clare. Scotland Arts Review, International For Edinburgh, Alba, No.6, Winter-December, 1987MacDonald, Murdo. Edinburgh International, Artwork, December, 1987Wright, Allen. Edinburgh International, The Scotsman, December, 1987Selz, Peter. Alternative Aesthetics: Quests for the Spiritual Quintessence, Arts Magazine, October, 1987, p. 46-49Berkson, Bill. Candidate's Name , Art Forum, February, 1987Taylor, John Russell. Art Which Feeds On Itself, The Arts (Scotland) January, 19871986Van Proyen, Mark. The Hieroglyphics of Ambivalence, Art Week, October 4, 1986, p. 3Shere, Charles. Museum Biennial a brave but disappointing step, Oakland Tribune, September 23, 1986Baker, Kenneth. Art About the Art World, San Francisco Chronicle, September 21, 1986Kunter, Janet. Candidate's Name , The Dallas Morning News, August 6, 1986Marvel, Bill. Candidate's Name , Dallas Times Herald, July 18, 1986Mitchell, Charles Dee. Candidate's Name  and the Jungian method of Art, Dallas Observer, July 17,1986Cook, Cynthia. Critics Choice, The Authentic Guide to Dallas, July 15, 1986Wolfe, Jane. Gene Binder to put gray matter to work, The Dallas Morning News, July 7, 1986Brenson, Michael. They Seek Spiritual Meaning in an Age of Skepticism, The New York Times, May 11, 1986, p. 37McEvilley, Thomas. Candidate's Name  Brooke Alexander, Artforum, April, 1986, p. 110Berkson, Bill. Second Sight, Artforum, February 1967, p. 124Marshal, Lawrence A.,A Rapture of the Deep, The Sciences, 1986, p. 631984Schipper, Mark. Candidate's Name , Art Scene (Los Angeles), December 1984Wilson, William. Candidate's Name , L.A. Times, Part IV, November 16, 1984, p. 12Levin, Kim. Candidate's Name , The Village Voice, April 17, 1984, p. 68Schjeldahl, Peter. Candidate's Name , The New York Times, March 30, 1984Preston, Malcolm. Evocative Works of Candidate's Name , Newsday, February 1, 1984, Part II, p. 231983Fischer, Mark and Laurie Horn. Cultural Center a Spark for Art/Artworks Debut at Centers Dedication, The Miami Herald, December 23, 1983Kohen, Helen L. Centers Bronze Horse Set the Tension of Modernist Style, The Miami Herald, December 23, 1983Basler Zeitung. Kornfield in Bern: Candidate's Name , November 10, 1983Woodrow, Patricia. Haunting visual works, The Three Village Herald, February 9, 1983, p. 13Harrison, Helen. Large-Scale Montages That Reflect the World of Dreams, The New York Times, January 2, 1983, p. 12Wortz, Melinda. The LA/NY Shift for Some Artists: The Fast Lane Heads East, ArtNews, January 19831982Wilson, William. Integrity Fails to Make Shift from L.A. to N.Y, Los Angeles Times, October 17, 1982, p. 86Raynor, Vivian. A Variety of Shows, The New York Times, September 14, 1982, p. 20Raynor, Vivian. Something Old, Something New at the Neuberger in Purchase, The New York Times, September 14, 19821981McGrath, Sandra. Deep Dreams, Sunday Independent (Australia), December 6, 1981Baker, Kenneth. Second Sight: San Francisco Museum of Modern Art, Art Biennial IV, Review, September 21, 1986, p. 12Raynor, Vivian. Painting, The New York Times, August 14, 19811980Rose, Joan, Artists visions guide journey, The Contemporary Museum, Honolulu Advertiser, February 20, 1980Carter, Ratcliff. Candidate's Name  at Brooke Alexander, Art In America, February, 1980, p.1271979Ellenzweig, Allen. Candidate's Name , Arts Magazine, December, 1979, p. 4Perrone, Jeff. Candidate's Name , Brooke Alexander Gallery, Artforum, December, 1979, p. 77Burkhardt, Dorothy. Drawings from the Natural World, ArtWeek, November 4, 1979Kramer, Hilton. Candidate's Name , The New York Times, October 12, 1979Thomas, Kevin. Candidate's Name , Los Angeles Times, July 9, 1979Muchnic, Suzanne. Taking Inventory with Interest, Los Angeles Times, July 9, 1979, p. 10Artnet, Alan. Candidate's Name , Chicago Sun Times, March 16, 19791978Loring, John. Looking for Candidate's Name , Arts Magazine, December, 1978, p. 146-147Kramer, Hilton. Candidate's Name , Arts Magazine, December 1978Burkhart, Dorothy. Drawing from the Natural World, ArtWeek, November 4, 1978, p. 6Bernside, Madeline. Candidate's Name : Using one of the major symbols of psychoanalysis, ARTnews, September, 1978, p. 176McGrath, Sandra. Portrait of the artist on the wagon. The Australian, August 5-6, 1978Thomas, Daniel. Artificial savages, The Sidney Morning Herald, February 27, 1978Myers, Leslie. Meditating the Internal and the External, ArtWeek, February 4, 1978, p. 3-4Pidgeon, W.E. Appreciation, The Sunday Telegraph (Australia), 19781977Groom, Gloria. Modern art exhibit gives a nice surprise, The Austin American-Statesman, August 28, 1977, p. 6Heering, Dr. Walther, Das gezeichnete Korallenriff, Submarin, Juli, 1977, p. 30-31Bordeaux, Jean Luc. The Silent World of Candidate's Name , Art International, January, 1977, p. 30Wholden-Thomas, Rosalind. Eros in The Red Sea, The Red Sea-Das Rote Meer , Cologne: Museum Ludwig, (exhibition catalog), 1977, p. 4-16Signon, Helmut. Er sammelt die bronzenen Reiter, Rheinland, Die Welt, 1977 p. 39Kruger, Werner. McCoy in Koln, Rheinland, Die Welt, 1977, p. 391976Levin, Kim. Narrative Landscapes on the Continental Shelf: Notes on Southern California, Arts Magazine, Vol. 51, No. 2, October 1976, p. 94-97Marmer, Nancy. Los Angeles, ARTFORUM, June 1976, p. 74-76Wilson William. Candidate's Name  is authentically unconventional, Art Walk, Los Angeles Times, February 13, 1976, p. 12Johnson, Ellen H. American Art of the Twentieth Century, APPOLO, Vol. CIII, No. 168, February 1976, p. 551975Pyle, Virginia. Women Artists with Individual Vision, Patriot Ledger, November 12, 1975Nahum, Katherine. Landscapes and sculpture exhibited at ICA, Newton Massachusetts Times, November 5, 1975Taylor, Robert. Candidate's Name  I.C.A. Boston, The Boston Globe, November 2, 1975Taylor, Robert. Candidate's Name , Lee Newton show the monumental and horizontal, Boston Sunday Globe, November 2, 1975, p. A10Dunham, Judith. Both Kinds: Contemporary L.A. Art, Artweek, May 3, 1975Allman, Paul. Art Who, Berkeley Gazette, Richmond Independent, April 12, 1975Fried, Alexander. An overflow of L.A. artists at U.C., San Francisco Examiner, April 12, 1975Shere, Charles. Both Kinds at U.C. Art Museum Views L.A. Art, Oakland Tribune, April 6, 1975Albright, Thomas. Vitality, Thought From Southland, San Francisco Chronicle, April 3, 1975Orr, Robin. North Side, South Side, Oakland Tribune, April 2, 1975Plagens, Peter. Both Kinds, Contemporary Art from Los Angeles, Connecticut Art Gallery, April 1975Taylor, John Lloyd. Candidate's Name  at Fourcade, Droll, Art In America, March-April, 1975, p. 94Borlase, Nancy. Linking Pollock and post-painterly abstraction, The Bulletin (Australia), March 12, 1975Borlase, Nancy. Foreign works a valuable gauge, The Bulletin (Australia), March 8, 1975McGrath, Sandra. At Coventry Gallery, The Australian, March 8, 1975, p.4Thomas, Daniel. Artificial savages, The Sidney Morning Herald, February 27, 1975Larson, Kay. Painting the public lands, ArtNews, 1975, p. 32Wilson, William. The sensibility bears some resemblance, Los Angeles Times, 19751974Henry, Garrit. Candidate's Name , ArtNews, December 1974, p. 4Ellenzweig, Allen. Candidate's Name , Arts Magazine, December 1974Schjeldahl, Peter. Artists in Love With Their Work, The New York Times, November 3, 1974, p. 25Schejeldahl, Peter. Unlike Dine, Art View, The New York Times, November 3, 1974Kramer, Hilton. Candidate's Name , The New York Times, October 26, 1974, p. 25Rose, Barbara. California Here it Comes, New York Magazine, June 1974, p. 66Brennan, Barry. Candidate's Name  I dont think the consciousness that produces art has anything to do with gender, Art, Evening Outlook, May 18, 1974, p. 9AMellow, James R. A Show Celebrating New York Talent, The New York Times, January 5, 19741973Plagens, Peter. Candidate's Name , Betty Gould Modern Prints, Artforum, November, 1973, p. 86Terbell, Melinda. The Strangeness of Reality, ArtNews, November 1973, p. 60-62Terbell, Melinda. Candidate's Name  Underwater Series, ArtWeek, October 13, 1973, p. 4Wilson, William. Once upon a time, Los Angeles Times, September 21, 1973, p. 13Spear, Athena Tacha. Four Young Americans, The Oberlin Review, May 26, 1973, p. 5Plagens, Peter. From School-Painting, to a School of Painting, Art In America, March-April 1973, p. 40-41

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